Liam Young, 10 03 14

Future Perfect is a fictional, future city. A think tank of scientists, technologists, designers, artists and science fiction authors have collectively developed this imaginary place, the landscapes that surround it and the stories it contains.  The following series of posts presents the Future Perfect exhibition- a stage set for a collection of fictions, movie set models, emerging infrastructures and design experiments that can be inhabited as immersive districts of the future city.  This post presents the Future Perfect movie miniature stage set model. Working with special effects artists from such films as Alien, Sunshine and Blade Runner and borrowing from the disappearing techniques of physical film prop making Liam Young and his team have built a room sized movie miniature model of the city. Across the course of the project authors have inhabited the scale city as a stage set and developed a collection of characters, narratives, films and illustrations.

Emerging in the shadows of the decaying towers of a post oil Dubai, geo engineered by climatologists and influenced by the imminent economic boom of the Indian subcontinent it is a terraformed urban island. A city that is grown rather than built, a creature, living, breathing and computing, a seething ecology that has become a new metropolitan megaform. Bots drift across this inhabited geology, a dense accumulation of crevice rooms, and public valleys, slowly printing and reprinting, endlessly as demand requires.

Through the strata is threaded the tendrils of a complex circulatory system that feeds the moist surfaces of a vibrant endemic ecology where nature and technology intertwine and biology becomes a new economy. Supercomputers whistle and whir, a virtual city, a parallel city overlaid directly onto the physical turns everything into interface, everything into program. It is an imaginary landscape extrapolated from the wonders and possibilities of emerging biological and technological research. The city watches on, breathing, blinking.

Working with craftsman Gary Welch, who has previously done the lighting on Tim Burton’s stop motion animation models,  the miniature city has been wired with 1000 miniature bulbs that run on a 12 minute accelerated day and night cycle.

Like a real city, the model has been expanding and developing since it was first exhibited in Eindhoven in 2012. A series of city building workshops has grown the city, developed new areas and torn down others.

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