fashion


Liam Young, 15 10 15


Directed by speculative architect Liam Young and written by fiction author Tim Maughan and designed ‘Where the City Can’t See’ is the world’s first fiction film made entirely from data. Produced in association with AND Festival the film is currently being shot and will première in summer 2016.

The computer vision systems of goggle maps, urban management systems and CCTV surveillance are now fundamentally reshaping urban experience and the cultures of our city. Set in the Chinese owned and controlled Detroit Economic Zone (DEZ) and shot using laser scanners, we see this near future city through the eyes of the robots that manage it. Exploring the subcultures that emerge from these new technologies the film follows a collection of young factory workers across a single night, as they drift through the smart city point clouds in a driverless taxi, searching for a place they know exists but that the map doesn’t show. They are part of an underground community that work on the production lines by day but at night, adorn themselves in machine vision camouflage costumes and the tribal masks of anti-facial recognition to enact their escapist fantasies in the hidden spaces of the city. They hack the city and journey through a network of stealth buildings, ruinous landscapes, ghost architectures, anomalies, glitches and sprites, searching for the wilds beyond the machine. We have always found the eccentric and imaginary in the spaces the city can’t see.

The Atlantic have recently written a review of the LIDAR scanner camouflage costume and algoritmic textile patterns we developed on computerised silk looms in the United Kingdom. Photography by Liam Young and Lucy Barker.

Director: Liam Young Writer: Tim Maughan Assistant Director: Jennifer Chen Director of Photography: Specular Stylist: Elizabeth Black and Susan Marsh (Under The Influence) Makeup: Philippe Miletto and consultant Adam Harvey Hair: Kaizo Dancers: Thomasin Gulgec, Sabrina Gargano, Laura Wood, Eryck Brahmania Technical Leads: Daniele Profeta, Tobias Jewson

fashion


Liam Young, 10 03 14


Future Perfect is a fictional, future city. A think tank of scientists, technologists, designers, artists and science fiction authors have collectively developed this imaginary place, the landscapes that surround it and the stories it contains.  The following series of posts presents the Future Perfect exhibition- a stage set for a collection of fictions, movie set models, emerging infrastructures and design experiments that can be inhabited as immersive districts of the future city.  This post presents the Future Perfect Garment District, developed with fashion designer and artist Bart Hess.

Our bodies are end­lessly photographed, monitored and laser scanned with millimetre precision. From this context of surveillance, facial recognition, avatars and virtual ghosts, we imagine a near future where digital static, distortions and glitches become a new form of ornament. For the youth tribes of Future Perfect the body is a site for adaption, augmentation and experimentation. They celebrate the corrup­tion of the body data by moulding within their costumery all the imperfections of a decaying scan file. Shimmering in the exhibition landscape is a network of geometric reflec­tive pools of molten wax. Their mirrored surface is broken by a body, suspended from a robotic harness, plunging into the liquid.

A crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer, like a 3d printer drawing directly onto the skin. Slowly the body emerges, encased in a dripping wet readymade prosthetic. It is a physical glitch, a manifestation of corrupt data in motion, a digital artefact. They hang from hooks like a collection of strange beasts and frozen avatars. Body prints, imperfect and distorted and always utterly unique.

Photography by Catarina Botelho and Delfino Legnani.