biotechnology


Liam Young, 10 03 14


Future Perfect is a fictional, future city. A think tank of scientists, technologists, designers, artists and science fiction authors have collectively developed this imaginary place, the landscapes that surround it and the stories it contains.  The following series of posts presents the Future Perfect exhibition- a stage set for a collection of fictions, movie set models, emerging infrastructures and design experiments that can be inhabited as immersive districts of the future city.  This post presents the Future Perfect Garment District, developed with fashion designer and artist Bart Hess.

Our bodies are end­lessly photographed, monitored and laser scanned with millimetre precision. From this context of surveillance, facial recognition, avatars and virtual ghosts, we imagine a near future where digital static, distortions and glitches become a new form of ornament. For the youth tribes of Future Perfect the body is a site for adaption, augmentation and experimentation. They celebrate the corrup­tion of the body data by moulding within their costumery all the imperfections of a decaying scan file. Shimmering in the exhibition landscape is a network of geometric reflec­tive pools of molten wax. Their mirrored surface is broken by a body, suspended from a robotic harness, plunging into the liquid.

A crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer, like a 3d printer drawing directly onto the skin. Slowly the body emerges, encased in a dripping wet readymade prosthetic. It is a physical glitch, a manifestation of corrupt data in motion, a digital artefact. They hang from hooks like a collection of strange beasts and frozen avatars. Body prints, imperfect and distorted and always utterly unique.

Photography by Catarina Botelho and Delfino Legnani.

biotechnology


Liam Young, 10 03 14


Future Perfect is a fictional, future city. A think tank of scientists, technologists, designers, artists and science fiction authors have collectively developed this imaginary place, the landscapes that surround it and the stories it contains.  The following series of posts presents the Future Perfect exhibition- a stage set for a collection of fictions, movie set models, emerging infrastructures and design experiments that can be inhabited as immersive districts of the future city.  This post presents the Future Perfect Wilds, developed by artists Cohen Van Balen through their project Nowhere a Shadow. Watch as we let a live wolf stalk the landscape of the city.

There is no nature anymore. We are wandering a new kind of wilderness, where the line between biology and technology is becoming increasingly indistinguishable. Through genetic modification, engineered meat, cosmetic surgery and geo-engineering we are remaking our world from the scale of cells to the scale of continents. The woods, wild and mysteri­ous from afar, appear as a stage on which every element is considered. Genetically engineered plants, artifi­cially sustained, are hanging from the trees, embedded in the ecology yet detached from it.

Their scaffolding systems of gleaming steel and neon light sway in the wind, waiting. Grey wolves approach the struc­tures during the night to scratch their body on the steel branches. In an intri­cate arrangement of devised symbio­sis, the contraption takes on the role of host organism. The wolf’s move­ments generate electricity for the system, while the blueberries are engineered to contain rabies vaccine in its fruit to protect the animal from self-destruction. Cameras transmit footage of the wolf’s presence around the globe, adorned in invisible garlands of elec­tric display, to be enjoyed by those whose passion for the spectacle of wilderness sustains its survival.